FuliAzo borrows its language from a colour bench — pigment cards, swatches and deep, deliberate hues — as a visual metaphor only. Nothing here is a real dye, a real formula or a workshop chemical process, and the studio makes no such thing. Register one fictional adult character, write her pigment card once, and every tool — stills, video, edits, swaps, finishing — works from that same card. Costs are quoted before a job runs, results stay private until you release them, and a failed job refunds itself.
Free to register. Check in daily to collect 6 credits — exactly the cost of one standard image, one picture a day from the dye bench.
A colour bench works because every hue is written on a card before it is used. FuliAzo keeps that discipline for characters: age, hair, build, face and signature, written once on a pigment card and consulted at every tool. The generator renders from it, the video bench animates from it, the editor repairs against it, and the face swap carries exactly the face on the card. The Hero sheet beside each tool states its inputs, outputs and cost before you commit — colour language here describes pictures, never real substances or processes.
Text-to-image for fictional adult characters. Write her pigment card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Five fixed lines, pasted rather than retyped. A regular shade is recognised because its card never quietly changes — and neither is a character.
Stills first, then motion, repairs and finishing — each with its exact credit cost shown before you confirm.
Everything rests private in your account. The gallery is the display rail; only what you place there is seen.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the work outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start at the dye benchProduction notes on character consistency, prompt systems and delivery specs.
An upscaler raises resolution, not fidelity. Judge motion against the record, at the joins, before finishing money is spent.
Feelings are generous after an hour of generating. Five checks you can run in under a minute, and the threshold a frame…
A character stays herself because her pigment card never changes. The five fixed lines, the version habit, and what to check when…